CIA says Osama bin Laden used to watch Tom & Jerry cartoons, 9/11 conspiracy films in Pakistan hideout

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first_imgOsama bin Laden, the dreaded Al Qaeda chief who lived out his last few years in a secret hideout in Pakistan, seems to have spent his time watching Tom and Jerry videos, filling up pages in his personal journal, and studying his own life in the form of biographical documentaries.And, in contrast to popular imagination, Osama bin Laden did not seem to have entirely given up on his terrorist activities. He was in contact with the wide network of his group Al Qaeda and, interestingly enough, even watched movies based on conspiracy theories about the major mayhem that he masterminded – the infamous September 11, 2001 terrorist attacks.This and much more was revealed last night when the Central Intelligence Agency, the United States of America’s premier spy organisation released a massive trove of material that was recovered by US special forces during the May 2011 raid in Abbottabad, Pakistan, that killed Osama bin Laden a decade after the 9/11 attacks.The CIA had previously released the books that were stored at bin Laden’s Abbottabad hideout. Yesterday, the agency released mostly digital files that were stored in one of the several devices used by the slain Al Qaeda chief.Today we released nearly 470,000 files recovered in 2011 raid on Usama Bin Ladins compound in Abbottabad, Pakistan.https://t.co/QZcoAu3uEw pic.twitter.com/Dn8awV9ndn- CIA (@CIA) November 1, 2017The information in the CIA repository contains never-before-seen videos of Osama bin Laden’s son Hamza as well as an over 200-page journal believed to contain the terrorist mastermind’s thoughts and reflections.advertisementHere are some of the biggest discoveries and details that have emerged from the CIA’s Osama bin Laden files:TOM & JERRY VIDEOSAmong the many, many videos the CIA made public were episodes of the internationally popular cartoon show Tom and Jerry.Of course, it will probably never be known whether the Tom and Jerry episodes were for bin Laden’s personal consumption or for that of his family, who stayed with him at his Pakistani safe house.Osama Bin Laden appears to have had 138 episodes of “Tom and Jerry” downloaded ….There are over 160 episodes in existence. pic.twitter.com/A4fBFWrnGq- Gene Park (@GenePark) November 1, 2017HAMZA’S WEDDINGOne of the most interesting materials among the CIA’s Osama files is an hour-long video showing bin Laden’s son Hamza. The video is from Hamza’s wedding and, according to an Associated Press report, bin Laden’s son is seen sporting a trimmed mustache but no beard and sitting on a carpet with other men.The video shows Hamza and the men surrounded by bowls of bananas and apples, bottles of cola, sweets and tea. Hamza is seen smiling, revealing his dimples, and while Osama himself is not seen, a man notes that the “father of the groom, the prince of the mujahedeen” is overjoyed about his son’s marriage and his happiness will “spread to all the mujahedeen”, the AP report said.Images sourced from lengthy video of Hamza’s wedding day: #OBLdocs pic.twitter.com/erYTtA6Yr2- Long War Journal (@LongWarJournal) November 1, 20179/11 TRUTHER VIDEOS Osama bin Laden had a strange way of checking up on his inhumane handiwork – the 9/11 attacks, which killed nearly 3,000 people in the US, birthed America’s “war on terror”, and changed the nature of terrorism in the world forever.Among the video files recovered from bin Laden’s Abbottabad hideout was a movie series called ‘Loose Change’. The series explores and argues in favour of several conspiracy theories that have surrounded the 9/11 attacks. Think, ‘jet fuel can’t melt steel beams’.THE HATE FOR WESTERN LIFE & SHAKESPEAREAccording to a report in The Guardian, which citied entries in Osama’s personal journal, bin Laden visited the United Kingdom as a teenager. There, bin Laden visited the home of the world renowned playwright William Shakespeare and, according to The Guardian report, was left unimpressed.”I got the impression that they were a loose people, and my age didn’t allow me to form a complete picture of life there,” the UK daily quoted bin Laden writing in his journal. “We went every Sunday to visit Shakespeare’s house. I was not impressed and I saw that they were a society different from ours and that they were a morally loose society.Reuters file photo of former US President Barack Obama and other top officials watching the May 2011 raid that killed Osama bin LadenClick here to EnlargeTHE ILLUMINATI The 9/11 conspiracy theories weren’t Osama bin Laden’s only tin foil hat moment, apparently. He also seemed to have an interest in The Illuminati, a supposedly secretive organisation consisting of some of the most elite personalities of the world.advertisementIts existence is disputed even as conspiracy theorists advance claims that the group secretly controls the entire world. Osama bin Laden had with him documents about The Illuminati, the CIA release from last night shows.It must be noted that The Illuminati had also crept up when the agency released Osama’s books a few years ago.Osama Bin Laden also had a lot of interest in the “Illuminati”. Here’s one such image: #BinLadenDeclassified pic.twitter.com/UEJVUwWAd0- F. Jeffery (@Natsecjeff) 1 November 2017BIN LADEN WAS STILL AL QAEDA CHIEF According to a report in the Long War Journal, an American website focussed on covering the war on terrorism, the CIA’s release provides more proof that Osama bin Laden, while hiding in Pakistan, hadn’t entirely broken contact with his terrorist group the Al Qaeda.According to the report, bin Laden was in touch with his subordinates around the world and memos that are part of the CIA files talk about the various committees and lieutenants who helped him manage his terrorist group.NARCISSIST OSAMAAmong the films and documentaries that Osama bin Laden watched were a few that were about himself. ‘In the footsteps of bin Laden’, a CNN documentary, and ‘Where in the World Is Osama bin Laden?’ a 2008 comedy/war film.Per CIA press release, copyright restricted files found at bin Laden compound included Pixar’s Cars, Final Fantasy VII, and Resident Evil pic.twitter.com/t7Fx8F08kd- Josh Billinson (@jbillinson) November 1, 2017last_img

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Exhibition Review: Chinese Prints 1950-2006 at the Ashmolean, Part 2

first_imgby Lucy ArchibaldPart Two of the Ashmolean’s Chinese Prints exhibition showcases the work of established Chinese printmakers to Western audiences for the first time. The Chinese tradition of print-making is over a thousand years old, but this modern collection is more dynamic than dusty. Without the shock value of a more avant-garde exhibit, it is subtly disarming for its plethora of “alien” terms and references to less than familiar print techniques and events from Chinese history. Nevertheless, the colourful range of styles, subjects and images on offer – spanning a period of Chinese history which has evolved at an unprecedented rate – is both satisfying and stimulating. If you consider Chinese prints synonymous with water lilies and perhaps the odd reed-warbler, this collection will subvert your expectations. The exhibition does include Zheng Shuang’s Black Peony, White Peony, which is representative of the artist’s exclusive interest in floral subjects post-1970, but in general, the collection is indicative of the powerfully politically charged tendencies of print-making now. Perhaps the most moving of these is Wong Gongyi’s delicately entitled Autumn Wind and Rain (1980) which depicts at severely intimate quarters Qiu Jin, the poet, revolutionary and symbol of female independence, who campaigned against the binding of women’s feet and selling of women into slavery. Wong Gongyi’s print depicts the moments before her execution; monochrome and cut with hard lines, the medium of the piece seems to reflect its unsettling subject. This anguish is further reflected in the artist’s description of the creative process: “…dripping with sweat and tears, in a small storage room, my heart filled with grief and indignation.”Equally unsettling, perhaps, is the sense of a pervasive propaganda “theme”, particularly in the work of the 1950-70s. Next to Qiu Jin’s intense and unsmiling face is a representative of the Sichuan School – Xu Kuang and A Ge’s The Master (1978), depicting a Tibetan farmer in the Soviet style with axe in hand as a grinning and accessible heroic figure. In Reading Hard (1962) another Tibetan figure, a male shepherd in this instance, sits placidly reading amidst a monochrome yet bustling pastoral scene. The artist, Li Huanmin, seems to suggest that Communism has thrown off this individual’s shackles and in contrast he now sits reading. The description of the subject “reading hard”, however, seems intended to collide the leisure of reading with hard work and thus imbue the subject with a level of Communist acceptability. The artist acknowledges this political dimension to his work, regarding it as providing historical insight at the level of the individual: “I depict people, their noble characters, their rich inner world and their graceful bearing, because people are the motive force of history.” Zhang Chaoyang summarised his artistic project rather differently: “Beauty and freedom have been the goal of my aesthetic pursuit.” Yet he represents a strikingly similar scene in his autumnally-hued Heroes and Heroines Are All Around (1970) which (rather obediently, we suspect) chronicles a harvest scene in the midst of the Cultural Revolution when the artist volunteered to go to the Great Northern Wilderness. Subsequently, Zhang Chaoyang’s work was to become less propaganda-influenced and instead preoccupied with female classical beauty. This development is perhaps prefigured in the pretty girl clad in communist garb, who sits scribbling in the foreground of the scene. This recurrent artistic focus upon an individual pulled from a crowd seems somewhat incongruous with the political systems they articulate.The most recent work demonstrates a more satirical or at least enquiring edge. Kang Ning’s Forest (2004) in particular shows a progression from the earlier prints, while Li Yili’s Hometown Record with its mingling of realist and fantasy elements enacts his artistic intention to ‘create’ “…one’s ideal world” rather than merely document that already in existence. Short, if not sweet, this concise exhibition will certainly leave you with plenty to ponder, and is the ideal reason to finally (!) make it through the doors of the Ashmolean. Chinese Prints runs until the 24th of February.last_img

Weekly Market Review February 18, 2020

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Tulip blossoms for Dawn

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